Postcard of the New York World's Fair |
Taken on November 01, 2011 |
The 140 feet tall, 700,000-pound Unisphere
in Flushing Meadows Corona Park is a fifteen-minute walk from the Mets-Willets
Point subway station. For the first three to four minutes it is visible among the
trees before disappearing into the park. Sitting low in the horizon, the
stainless steel globe blends into the sky during the day, but at night,
illuminated by ten floodlights and twenty lampposts, the Unisphere shines brightly.
Hidden by leaves when approaching, the structure suddenly looms above visitors coming
on any of the eight pathways leading there.
Originally designed and created
for the 1964-1965 New York World’s Fair, the Unisphere is an official landmark
as designated by the New York City Landmarks Preservation Commission and an
unofficial symbol of the borough of Queens. The Unisphere is in the second
largest public park in New York City bordered by neighborhoods with a total population
of around 344,000. It is visible to drivers on the Van Wyck, Grand Central and
Long Island Expressways as well as passengers flying into La Guardia and JFK. Those
who see it may not realize its visibility and their constant sight of it is a
small part of the legacy of Robert Moses—New York City Parks Commissioner, head
of multiple public authorities and shaper of New York. The 1964-1965 New York
World’s Fair was a financial failure and many of the buildings erected for it
are gone or unused. Today, Flushing Meadows Corona Park and its focal point,
the Unisphere, have been given new purposes and meaning. Many have reinterpreted
the globe as a symbol of the diversity of Queens and a look at the ethnicity of
park goers quickly confirms this to be valid. (According to the 2005 American
Community Survey, 47.6% of Queens residents are immigrants.) However, this
current understanding of the Unisphere isn’t the one the designer originally
envisioned.
As recorded in “Remembering the
Future” by Marc H. Miller, on March 6, 1963 at the ceremony during which the
first support of the Unisphere tripod pedestal was placed, Robert Moses said,
“We looked high and low for a challenging symbol for the New York World's Fair
of 1964 and 1965. It had to be of the space age; it had to reflect the
interdependence of man on the planet Earth, and it had to emphasize man's
achievements and aspirations. It had to be the cynosure of all visitors,
dominating Flushing Meadow, and built to remain as a permanent feature of the
park, reminding succeeding generations of a pageant of surpassing interest and
significance.”
It may satisfy Moses to know the Unisphere is still a permanent feature of Flushing Meadows. Even if few visitors may recollect the World’s Fair or know that the Unisphere was intended to remind them of its significance.
Aerial photograph of FMCP, 2006. Credit DOITT, NYCMAP-2006 Series |
No comments:
Post a Comment